Much of what is unseen in these pieces is a play of shiny versus matte a still camera can’t capture.
Clearly, the work is meant to be experienced, as flat sculpture, meaning that it is not a simple figure ground relationship that these digital simulations capture. I paint them so the quality of the surface rewards the viewer for moving around, as if walking among the standing stones of Carnac. There are 354 paintings on handmade paper, each 22 by 30 inches. Each sheet of paper is unique, made from clothing of personal significance and meaning.