Installations, site specific pieces, and exhibition.  In collaboration with Steve McMath.   Most of the pieces were around our Hillsboro studio.            1970  Ann Arbor, Hillsboro, and Wayne, Michigan.                           

Installation and Electronic concert with two performances.  The image to the left is  the only visual documentation that remains. As the title states, the audience was bombarded with lights, a slide show, volatile esters, edibles, electronic music and a guest appearance by the group, The Charging Rhinoceros Of Soul .    Steve McMath, Maryanne Ellison (Simmons), and Norie Sato  assisted in the event.   1969  Ann Arbor,  Michigan. 

Installation and performance.  In collaboration with Steve McMath.  An environmental installation with the elements of cold wind and ethereal light.  The windows were open. The blinds were flapping. A single rosy lamp illuminated the space.  Fog wafted from the accordion duct.  The high speed whirr of fans joined the flapping of the blinds.   April, 1969  Ann Arbor, Michigan.  

A full day of events, performances, and site specific pieces.   In collaboration with Steve McMath.   The pieces located were around The School of Music, Bates Housing, and Huron River.   September, 1969  Ann Arbor, Michigan.   SEE ADDITIONAL IMAGES and descriptions

Underwater illuminations. Site specific light installations using boyant flashlights with colored lenses at various depths below the surface of the water.  The further below the surface, the larger the  ball of light.  The murkiness of the Mississippi  required the lights to be extremely close to the surface.    1970 Minneapolis, Minnesota and  Port Huron, Michigan.             

Triangular, portable rabbit enclosures provided the form  for the series of grass shapes trimmed and then fertilized by the rabbit group.    Summer,1972, Oberlin, Ohio.cific piend exhibition.  In SEE SEE ADDITIONAL  IMAGESboration w